Counter Craft • 4846 implied HN points • 22 Feb 26
- Relying on TV and film thinking makes prose read like a camera transcript instead of a mind, so scenes lack interiority, clear perspective, and end up full of generic gestures. This kind of "TV brain" prose feels flat and tells you nothing deeper about characters.
- Prose has strengths film doesn’t: it can show interior thoughts, shift perspective, manipulate time, summarize, and digress to deepen meaning. Good fiction uses those tools instead of playing every scene out in real time.
- Writers who don’t read tend to repeat information, bloat sentences with redundant metaphors, and miss what prose can do; the simplest fix is to read widely to learn craft and how to reveal character and story efficiently.