The Seat of Loss • 17 implied HN points • 23 Mar 26
- Online fame can launch artists into big tours before they’re ready, leaving them anxious, burned out, and often unable to meet live-audience expectations.
- Touring has become the music industry’s primary revenue engine, creating relentless schedules and production demands that erode privacy, safety, and mental health for performers.
- Automation and virtual idols could supply flawless, always-on performances that reward consistency over human flaws, forcing real artists to adapt or be outcompeted.